Stage director, producer, original concept design, Charlotte Cushman, featured suffragette fighter, laundry dancer, act IV dancer + cast
Emma Wiseman Collins is co-founder and education director at Scenic City Shakespeare. She is a graduate of the Professional Actors Training Program at Chattanooga State. Emma trained in Bunraku style puppetry with Chattanooga’s Kids on the Block where she served as a puppeteer/educator. She created Scenic City Shakespeare’s educational puppetry program for young elementary learners, “Billie the Bard’s Puppet Playhouse”, developed through funding from the Tennessee Arts Commission, and “Three Person Hamlet” for 4th-7th grades.
Emma has served as producer and dramaturg for 10 Scenic City Shakespeare in the Park productions, and as stage director for As You Like It, The Winter’s Tale, Much Ado About Nothing, and Twelfth Night. She is proud to lead this project through grant funding received from Tennessee 250 and the Tennessee State Museum, to commemorate the 250th anniversary of the founding of the United States, recognize Tennessee's integral role in that event and the impact of its people on the nation's past, present, and future.
As an actor, Emma portrayed Rosalind in SCS’s 2023 As You Like It. At Chattanooga State, she’s enjoyed returning to the school’s stage for performances of Radium Girls (Mrs. Fryer) and Lucky Stiff (Landlady). Favorite roles with Chattanooga State Repertory Theatre include Helena (A Midsummer Night’s Dream) and a player in Sherry Landrum’s fully improvised musical, Luck of the Draw. At the Chattanooga Theatre Centre, Emma has garnered Best Supporting Actress awards for performances as Erma (Anything Goes) and Prudie Cupp (Pump Boys and Dinettes). For Ensemble Theatre of Chattanooga, Emma has portrayed Penelope Pennywise (Urinetown), Kate Monster (Avenue Q), Cordelia (Falsettos), and the title role in Violet.
Emma is a teaching artist with the Wolf Trap Institute in the UTC affiliate based at the Arts Based Collaborative, where she leads professional development residencies for teachers to successfully integrate theatre arts strategies into every early education classroom.
“Seeing America Through the Tempest from idea to finished product has been an absolute honor. Our team will never forget this opportunity to delve into our national identity through history and the words of Shakespeare. When I direct Shakespeare, honoring the true spirit of the words in performance is important to me. I want us using song, dance, fights, pantomime, all manner of gags - just like The Bard in his own time and place. This production, so beautifully written by Hunter Rodgers and compiled through the thoughtful teamwork of our entire cast and creative team, encompasses those ideas and ideals that have endeared Americans to Shakespeare for 250 years and many more to come.”